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Internal video Book a shoot 813-702-2859
Restaurants & hospitality

It looks incredible
in the room.
Now on a phone.

The plate that took a decade to get right is being judged in a two-second scroll, next to somebody with better lighting and a worse kitchen.

ZEPHYRHILLS, FL RESTAURANTS & HOSPITALITY PART 107 LICENSED

Who is watching

Somebody deciding where to eat tonight, on a phone, in about four seconds.

What it has to do

Sell the plate and the room before anyone walks in.

How it runs

One crew on site for the day, working around you. Cinema, drone and stills in the same pass. First cut back in a few days.

What you keep

Every file, from day one, in writing before you sign. EC hosts a copy for a limited window as a convenience, not as the only copy.

The Cooking Is Not
The Problem.

01The pass at service

Over the pass while the kitchen is actually working. Real steam, real heat lamps, no stylist and no glycerine.

02The four seconds

Cut vertical and framed for a thumb, because the choice gets made before anyone reads a word of the menu.

03The menu change

Every new plate shot back to back in one prep, before the doors open. A kitchen will plate for a camera once. Not twice.

One Industry
Inside This One.

Restaurants Losing to places that cook worse but light better. OPEN →

How a Shoot Day Runs.

01The callWhat you sell, who buys it, and the questions you keep answering by text. That list becomes the shot list.
02The shoot dayOne day on site. We work around your crew, not the other way round. Cinema, drone and stills in the same pass.
03The cutShot by us, cut by us. The person who planned the day is the one in the edit, so nothing gets lost in a handoff.
04The monthThe film comes apart into verticals, carousels and stills — scheduled and posted, or handed over ready to run.
Start

Shot the way
it actually leaves the kitchen.

Tell us your quietest hour. Real steam, real heat lamps, cut vertical for the four seconds somebody decides where to eat.