ZEPHYRHILLS, FL
YOUTH & CLUB SPORTS
PART 107 LICENSED
The crew and the process do not change. If you sell something that has to be seen to be understood, the answer is almost certainly yes — ask on the call.
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Internal video Book a shoot 813-702-2859A club director or program owner. The person actually choosing is a parent, weighing you against two other clubs for their kid's Saturdays.
Will my kid actually play and get coached — or are we buying a uniform and a seat on the bench?
A Tuesday practice, not a trophy. Every club posts the championship photo; almost none will show a coach spending four minutes on one player who is not the best one there.
Registration and tryouts — the weeks a parent is choosing. Tournaments through the summer, when the heat moves everything to dawn or to the lights.
A practice under the lights on a long lens, with the coach correcting one player, by name.
One athlete pulled out of a whole tournament weekend, every touch tagged on the day.
Your director on the touchline before tryouts. Ninety seconds on how a team gets built.
Adult leagues, cheer and dance, camps and clinics, senior nights and single-athlete recruiting packages all run the same way, at a smaller scale.
Filming minors. Every athlete who appears on camera needs a signed guardian release, and most clubs already hold a photo opt-out list — that list governs, not ours. Nothing published pairs a child's full name with a field location or a practice schedule, and a recruiting cut goes to the family before it goes anywhere else.
You are almost certainly hiring as well. The same shoot day can produce your training, hiring and onboarding video — the crew and the site are already there.
Quoted on the call — a listing, a wedding and a monthly retainer are not the same job. Every term is in the agreement before you sign.
You do, from day one. We host a copy for a limited window after delivery as a convenience, not as the only copy.
No. We work around the job. If a shot needs thirty seconds of hold we ask, and no is an answer.
Us. The person who plans the shoot is on site for it and cuts it afterwards. Nobody is handed to a freelancer.
One call. What you sell, who buys it, and what a day on your job would produce.